The paper (2017)

A man glances through the pages of a paper. They refer to past events having apparently no connection to each other *.
The man focuses on the impressions reverberating from each event, remembering with nostalgia every action, every experience, every image. Nevertheless, during the reading each scene starts to cast light on the others, and soon a new truth emerges, leading the man into a spiral of fear. The disclosing arrives at the end of the piece: the reality, now lacking any innocence, reveals itself to be an occult plot, a scheme unfolding with the threat and violence of a criminal power.

* The dodecaphonic technique of Schoenberg used to prescribe that the twelve-notes series not refer to any tonal centre, and that the relationship between the notes avoid any tonal ambiguity.
In the same way I have created a series composed of ten concrete sounds, demanding that their deployment doesn't allude to any narrative, and that any cause-effect relationship is banned.